By Donald F. Murray
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Extra info for Divine Prerogative and Royal Pretension: Pragmatics, Poetics and Polemics in a Narrative Sequence about David (2 Samuel 5.17-7.29) (JSOT Supplement Series)
19-24 for David's appointing musicians to play these instruments, along with D^S] and m"l]D, in the cult for the ark in Jerusalem. These two occur together, in the reverse order, also in 1 Chron. 42; 2 Chron. 13; DTtea otherwise occurs in Chronicles in combination with m~l3D1 D^Zl] (cf. 5a) 1 Chron. 1, 6; 2 Chron. 25. 1 Chron. 19 defines DTI^ISQ as instruments of brass, and Num. 12 prescribes silver for making rrnii^n. Thus the Chronicles reading here (cf. also 4QSama) probably assimilates to later cultic practice, whereas I suspect the Samuel reading may reflect an earlier cultic restriction to wooden instruments.
Obviously, I cannot here attempt to mount a general argument to justify this claim. , the text of The Times leader this morning (3 July 1997) read, nonsensically, 'the Chancellor's pension' in a context that clearly required 'the Chancellor's promise'. For a further illustration of a different kind see textual n. 5 below. 2. 3 Inevitably, deciding this is a matter of 'reading', of interpretation. Hence this chapter affords me the opportunity, in determining the text to be read, to give due attention to rhetorical considerations in relation to other textcritical evidence, and thus to show why they must be among the determinants of the text to be read.
This nuance is lacking in Chronicles, which does not read DC2J in 1 Chron. 10ap, and which in any case reverses the order of the two passages, thus losing the irony of the reference back. n *?!? 8ap, or of a textual conflation from 1 Chron. 10a(3. 29 LXX adds evcomov to\) OEOD; 1 Chron.