By Stephen C. Berkwitz, Juliane Schober, Claudia Brown
Buddhist Manuscript Cultures explores how spiritual and cultural practices in premodern Asia have been formed via literary and inventive traditions in addition to by means of Buddhist fabric tradition. This research of Buddhist texts makes a speciality of the importance in their fabric kinds instead of their doctrinal contents, and examines how and why they have been made.
Collectively, the booklet deals cross-cultural and comparative insights into the transmission of Buddhist wisdom and using texts and photographs as ritual gadgets within the creative and aesthetic traditions of Buddhist cultures. Drawing on case reviews from India, Gandhara, Sri Lanka, Thailand, Mongolia, China and Nepal, the chapters integrated examine the diversity of pursuits and values linked to generating and utilizing written texts, and the jobs manuscripts and photographs play within the transmission of Buddhist texts and in fostering devotion between Buddhist groups.
Contributions are by way of reputed students in Buddhist experiences and symbolize varied disciplinary methods from non secular stories, artwork background, anthropology, and background. This e-book could be of curiosity to students and scholars operating in those fields.
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Additional resources for Buddhist Manuscript Cultures: Knowledge, Ritual, and Art
Signiﬁcant historical information can be gleaned from the study of Buddhist manuscripts, material that goes beyond strictly the language, writing style, and other internal characteristics found in a given work. The chapters presented here explore Buddhist manuscripts as works that comprise a range of religious, artistic, technological, and ideological practices and illuminate the historical signiﬁcance and uses of Buddhist literature in different cultural contexts. A variety of institutions and conventions for producing and writing books accompanied the production of Buddhist manuscripts in different forms and eras.
H¯ı At least some of the script/G¯andh¯ar¯ı language. scrolls were apparently Diverse texts, genres, and in damaged condition scribal hands. before interment. h¯ı/G¯andh¯ar¯ı. Early portion of a much larger collection, composed mostly of later texts in Br¯ahm¯ı script/ Sanskrit language. h¯ı/G¯andh¯ar¯ı. Diverse Bajaur Agency, texts, genres, and scribal Pakistan. First or hands. second century ad Schøyen Bamiyan, Collection Afghanistan. Probably second to third or fourth centuries ad Scattered fragments of several folios of different manuscripts.
Although the precise relationship between these two “index scrolls” and the texts recorded on the rest of the Senior scrolls is complicated and uncertain,12 it is certain that they constitute, in some way or other, the record of a coherent, preplanned corpus or anthology of texts which is at least partially embodied in the surviving manuscripts of the Senior collection. a sutra pacapacaï´sa 20-20-10-4-1; Salomon 2003: 83, Allon 2007: 19), proving that the corpus of texts referred to therein was understood as speciﬁcally deﬁned and delimited.