By Thom Atkins
Use beads and straightforward stitches to create excellent texture, size, and life like information on any cover. Award-winning quilter, Thom Atkins, teaches you every thing you want to find out about the simplest provides and methods to get breathtaking results…plus there’s an advantage educational on easy methods to create a beaded bezel. Dozens of show-stopping photographs during the booklet illustrate the limitless percentages for designing your individual mind-blowing beaded duvet. even if you love to make conventional or artwork quilts, this e-book may also help you're taking your textile embellishing to a complete new point.
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Extra info for Beading Artistry for Quilts Basic Stitches & Embellishments Add Texture & Drama
Tiger Tape, which has regular intervals marked with black hash marks, is useful here to keep the spacing even. The following illustration shows one of my favorite variations. Multiple picot edge variation 46 Beading Artistry for Quilts Sewing Beads with Various Hole Placements As you become more adventuresome in your bead buying, you will encounter beads that need special treatment in order to make them stay in place. Some are easier to sew on than others, but you may find that the bead you want for that particular place is one of the tough ones.
Back stitch is filler for me. It is what I do when I come to the end of a long line and only have a little way to go, or when I want a side branch or stem for a leaf to be tied into a main branch. Branches in Fall Study Branches in My Father’s Shadow (page 99) 58 Beading Artistry for Quilts Another example can be found in the spiderweb in At Risk. Here the main support structure of the web was put in with a combination of couching and back stitch, and then the short lines were added between the main ones, primarily with back stitch.
Burying the Knot When pulling the knot through the material, the size of the knot is governed by the type of material you are going through. Batiks are printed with dye that penetrates all the way through, and the weave is very tight. A four-wrap knot works best for this. For prints of a looser weave, where the dye or paint sits on the surface, a five-wrap knot would be preferable. When you pull to bury the knot, you may get what looks like a run in the material. In this case, start the threads on the back or leave the knot on the surface and come up from the batting where you wish to start sewing on beads.